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The Millionairess/Act III

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Act II The Millionairess ~ Act III
written by George Bernard Shaw
Act IV



A basement in the Commercial Road. An elderly man, anxious, poor, and ratlike, sits at a table with his wife. He is poring over his accounts. She, on his left, is sewing buttons on a coat, working very fast. There is a pile of coats on the table to her right waiting to have buttons sewn on, and another to her left which she has finished. The table is draped down to the ground with an old cloth. Some daylight comes in down the stone stairs; but does not extend to the side where the couple sit, which is lighted by a small electric bulb on a wire. Between the stairs and the table a dirty old patched curtain hangs in front of an opening into a farther compartment.

A bell tinkles. The woman instantly stops sewing and conceals the piles of coats under the table. Epifania, her dress covered by an old waterproof, and wearing an elaborately damaged hat, comes down the stairs. She looks at the pair; then looks round her; then goes to the curtain and looks through. The old man makes a dash to prevent her, but is too late. He snatches the curtain from her and bars her passage.


THE MAN. What do you want? What are you doing here?

EPIFANIA. I want employment. A woman told me I should find it here. I am destitute.

THE MAN. Thats not the way to get employment: poking your nose into places that dont concern you. Get out. There are no women employed here.

EPIFANIA. You lie. There are six women working in there. Who employs them?

THE MAN. Is that the way to talk to me? You think a lot of yourself, dont you? What do you take me for?

EPIFANIA. A worm.

THE MAN [making a violent demonstration]!!

EPIFANIA. Take care. I can use my fists. I can shoot, if necessary.

THE WOMAN [hurrying to the man and holding him] Take care, Joe. She's an inspector. Look at her shoes.

EPIFANIA. I am not an inspector. And what is the matter with my shoes, pray?

THE WOMAN [respectfully] Well maam, could a woman looking for work at tuppence hapeny an hour afford a west end shoe like that? I assure you we dont employ any women here. We're only caretakers.

EPIFANIA. But I saw six women--

THE MAN [throwing open the curtain] Where? Not a soul. Search the whole bloody basement.

THE WOMAN. Hush, hush, Joe: dont speak to the lady like that. You see, maam: theres not a soul.

EPIFANIA. Theres a smell. You have given them a signal to hide. You are breaking the law. Give me some work or I will send a postcard to the Home Office.

THE MAN. Look here, lady. Cant we arrange this? What good will it do you to get me into trouble and shut up my little shop?

EPIFANIA. What good will it do me to say nothing?

THE MAN. Well, what about half a crown a week?

EPIFANIA. I cannot live on half a crown a week.

THE MAN. You can if you look round a bit. There are others you know.

EPIFANIA. Give me the address of the others. If I am to live by blackmail I must have an extended practice.

THE MAN. Well, if I have to pay I dont see why the others shouldnt too. Will you take half a crown? [He holds up half a crown.] Look here! Look at it! Listen to it! [He rings it on the table]. It's yours, and another every Wednesday if you keep the inspector off me.

EPIFANIA. It's no use ringing half crowns at me: I am accustomed to them. And I feel convinced that you will pay five shillings if I insist.

THE WOMAN. Oh, maam, have some feeling for us. You dont know the struggle we have to live.

THE MAN [roughly] Here: we're not beggars. I'll pay what the business can afford and not a penny more. You seem to know that it can afford five shillings. Well, if you know that, you know that it cant afford any more. Take your five shillings and be damned to you. [He flings two half crowns on the table].

THE WOMAN. Oh, Joe, dont be so hasty.

THE MAN. You shut up. You think you can beg a shilling or two off; but you cant. I can size up a tough lot without looking at her shoes. She's got us; and she knows she's got us.

EPIFANIA. I do not like this blackmailing business. Of course if I must I must; but can you not give me some manual work?

THE MAN. You want to get a little deeper into our business, dont you?

EPIFANIA. I am as deep as I can go already. You are employing six women in there. The thing in the corner is a gas engine: that makes you a workshop under the Act. Except that the sanitary arrangements are probably abominable, there is nothing more for me to know. I have you in the hollow of my hand. Give me some work that I can live by or I will have you cleared out like a wasp's nest.

THE MAN. I have a good mind to clear out now and take some place where you wont find me so easy. I am used to changing my address.

EPIFANIA. That is the best card in your hand. You have some business ability. Tell me why you cannot give me work to live by just as you give it, I suppose, to the women I saw in there.

THE MAN. I dont like the people I employ to know too much.

EPIFANIA. I see. They might call in the inspector.

THE MAN. Call in the inspector! What sort of fool are you? They dread the inspector more than I do.

EPIFANIA. Why? Dont they want to be protected?

THE WOMAN. The inspector wouldnt protect them, maam: he'd only shut up the place and take away their job from them. If they thought youd be so cruel as to report them theyd go down on their knees to you to spare them.

THE MAN. You that know such a lot ought to know that a business like this cant afford any luxuries. It's a cheap labor business. As long as I get women to work for their natural wage, I can get along; but no luxuries, mind you. No trade union wages. No sanitary arrangements as you call them. No limewashings every six months. No separate rooms to eat in. No fencing in of dangerous machinery or the like of that: not that I care; for I have nothing but the old gas engine that wouldnt hurt a fly, though it brings me under the blasted Workshop Act as you spotted all right. I have no big machinery; but I have to undersell those that have it. If I put up my prices by a farthing theyd set their machinery going and drop me. You might as well ask me to pay trade union wages as do all that the inspector wants: I should be out of business in a week.

EPIFANIA. And what is a woman's natural wage?

THE MAN. Tuppence hapeny an hour for twelve hours a day.

EPIFANIA. Slavery!

THE WOMAN. Oh no, maam: nobody could call that slavery. A good worker can make from twelve to fifteen shillings a week at it, week in and week out.

THE MAN. Isnt it what the Government paid at the beginning of the war when all the women were called on to do their bit? Do you expect me to pay more than the British Government?

THE WOMAN. I assure you it's the regular and proper wage and always has been, maam.

THE MAN. Like five per cent at the Bank of England it is. This is a respectable business, whatever your inspectors may say.

EPIFANIA. Can a woman live on twelve shillings a week?

THE MAN. Of course she can. Whats to prevent her?

THE WOMAN. Why, maam, when I was a girl in a match factory I had five shillings a week; and it was a godsend to my mother. And a girl who had no family of her own could always find a family to take her in for four and sixpence, and treat her better than if she had been in her father's house.

THE MAN. I can find you a family what'll do it today, in spite of all the damned doles and wages boards that have upset everything and given girls ideas above their station without giving them the means to pamper themselves.

EPIFANIA. Well, I will work even for that, to prove that I can work and support myself. So give me work and have done talking.

THE MAN. Who started talking? You or I?

EPIFANIA. I did. I thank you for the information you have given me: it has been instructive and to the point. Is that a sufficient apology? And now to work, to work. I am in a hurry to get to work.

THE MAN. Well, what work can you do?

THE WOMAN. Can you sew? Can you make buttonholes?

EPIFANIA. Certainly not. I dont call that work.

THE MAN. Well, what sort of work are you looking for?

EPIFANIA. Brain work.

THE MAN. She's dotty!

EPIFANIA. Your work. Managing work. Planning work. Driving work. Let me see what you make here. Tell me how you dispose of it.

THE MAN [to his wife] You had better get on with your work. Let her see it. [To Epifania, whilst the woman pulls out the pile of coats from under the table and sits down resignedly to her sewing] And when youve quite satisfied your curiosity, perhaps youll take that five shillings and go.

EPIFANIA. Why? Dont you find my arrival a pleasant sort of adventure in this den?

THE MAN. I never heard the like of your cheek, not from nobody. [He sits down to his accounts].

EPIFANIA [to the woman, indicating the pile of coats] What do you do with these when they are finished?

THE WOMAN [going on with her work] The man comes with his lorry and takes them away.

EPIFANIA. Does he pay you for them?

THE WOMAN. Oh no. He gives us a receipt for them. Mr Superflew pays us for the receipts at the end of the week.

EPIFANIA. And what does Mr Superflew do with the coats?

THE WOMAN. He takes them to the wholesaler that supplies him with the cloth. The lorry brings us the cloth when it takes away the finished clothes.

EPIFANIA. Why dont you deal directly with the wholesalers?

THE WOMAN. Oh no: that wouldnt be right. We dont know who they are; and Mr Superflew does. Besides, we couldnt afford a lorry.

EPIFANIA. Does Mr Superflew own the lorry?

THE WOMAN. Oh no: that wouldnt be right. He hires it by the hour from Bolton's.

EPIFANIA. Is the driver always the same man?

THE WOMAN. Yes, of course: always old Tim Goodenough.

EPIFANIA [to the man] Write those names for me: Superflew, Bolton's, Goodenough.

THE MAN. Here! I'm not your clerk, you know.

EPIFANIA. You will be, soon. Do as I tell you.

THE MAN. Well of all the cheek--! [He obeys].

EPIFANIA. When Goodenough comes round next, tell him to tell Bolton's that he has found somebody who will buy the lorry for fourteen pounds. Tell him that if he can induce Bolton's to part from it at that figure you will give him a pound for himself and engage him at half a crown advance on his present wages to drive it just the same old round to the same places. He knows the wholesalers. Mr Superflew is superfluous. We shall collect not only our own stuff but that of all the other sweaters.

THE MAN. Sweaters! Who are you calling sweaters?

EPIFANIA. Man, know thyself. You sweat yourself; you sweat your wife; you sweat those women in there; you live on sweat.

THE MAN. Thats no way to talk about it. It isnt civil. I pay the right wages, same as everybody pays. I give employment that the like of them couldnt make for themselves.

EPIFANIA. You are sensitive about it. I am not. I am going to sweat Mr Superflew out of existence. I am going to sweat Mr Timothy Goodenough instead of allowing Mr Superflew to sweat him.

THE MAN. See here. Does this business belong to me or to you?

EPIFANIA. We shall see. Dare you buy the lorry?

THE MAN. Wheres the money to come from?

EPIFANIA. Where does all money come from? From the bank.

THE MAN. You got to put it there first, havnt you?

EPIFANIA. Not in the least. Other people put it there; and the bank lends it to you if it thinks you know how to extend your business.

THE WOMAN [terrified] Oh, Joe, dont trust your money in a bank. No good ever comes out of banks for the likes of us. Dont let her tempt you, Joe.

EPIFANIA. When had you last a holiday?

THE WOMAN. Me! A holiday! We cant afford holidays. I had one on Armistice Day, eighteen years ago.

EPIFANIA. Then it cost a world war and the slaughter of twenty millions of your fellow creatures to give you one holiday in your lifetime. I can do better for you than that.

THE WOMAN. We dont understand that sort of talk here. Weve no time for it. Will you please take our little present and go away?

The bell tinkles.

THE MAN [rising] Thats Tim, for the clothes.

EPIFANIA [masterfully] Sit down. I will deal with Tim.

She goes out. The man, after a moment of irresolution, sits down helplessly.

THE WOMAN [crying] Oh, Joe, dont listen to her: dont let her meddle with us. That woman would spend our little savings in a week, and leave us to slave to the end of our days to make it up again. I cant go on slaving for ever; we're neither of us as young as we were.

THE MAN [sullen] What sort of wife are you for a man? You take the pluck out of me every time. Dont I see other men swanking round and throwing money about that they get out of the banks? In and out of banks they are, all day. What do they do but smoke cigars and drink champagne? A five pound note is to them what a penny is to me. Why shouldn't I try their game instead of slaving here for pence and hapence?

THE WOMAN. Cause you dont understand it, Joe. We know our own ways; and though we're poor our ways have never let us down; and they never will if we stick to them. And who would speak to us? who would know us or give us a helping hand in hard times if we began doing things that nobody else does? How would you like to walk down Commercial Road and get nothing but black looks from all your friends and be refused a week's credit in the shops? Joe: Ive gone on in our natural ways all these years without a word of complaint; and I can go on long enough still to make us comfortable when we're too old to see what I'm sewing or you to count the pence. But if youre going to risk everything and put our money in a bank and change our ways I cant go on: I cant go on: itll kill me. Go up and stop her, Joe. Dont let her talk: just put her out. Be a man, darling: dont be afraid of her. Dont break my heart and ruin yourself. Oh, dont sit there dithering: you dont know what she may be doing. Oh! oh! oh! [She can say no more for sobbing].

THE MAN [rising, but not very resolutely] There! there! Hold your noise: I'm not going to let her interfere with us. I'll put her out all right. [He goes to the stairs. Epifania comes down]. Now, missis: lets have an understanding.

EPIFANIA. No understanding is necessary. Tim is sure that Bolton's will take ten pounds for the lorry. Tim is my devoted slave. Make that poor woman stop howling if you can. I am going now. There is not enough work here for me: I can do it all in half a day every week. I shall take a job as scullery maid at a hotel to fill up my time. But first I must go round to the address Tim has given me and arrange that we send them our stuff direct and collect just as Superflew did. When I have arranged everything with them I will come back and arrange everything for you. Meanwhile, carry on as usual. Good morning. [She goes out].

THE MAN [stupefied] It seems to me like a sort of dream. What could I do?

THE WOMAN [who has stopped crying on hearing Epifania's allusion to her] Do what she tells us, Joe. We're like children-- [She begins crying again softly].

There is nothing more to be said.

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